by Kevin McLaughlin
On Thursday, June 1 at the Cleveland Institute of Music’s Mixon Hall, guitarist Jason Vieaux opened the 2023 Cleveland International Classical Guitar Festival with a sparkling display, mixing assured technique with an impressively broad guitar ethos. In a program stretching from Albéniz to Metheny, Vieaux acquitted himself with ease and authority, setting a high bar for every festival recital to follow.
The night began with one of Andrés Segovia’s favorite works, Albéniz’s Torre Bermeja, a short piano piece that, in the hands of a skilled player like Vieaux at least, seems more suited to the guitar. His touch throughout was light, particularly in the repeated sixteenth-note triplets, which imparted buoyancy and optimism.
Cleveland International Classical Guitar Festival founder Armin Kelly was planning to celebrate the second decade of the event when the novel coronavirus crashed the party. “The 2020 shutdown was too close to our festival time to put an alternate plan together,” he said in a recent phone conversation. “So we put up one streamed concert, and that was our 20th anniversary season.”
Live streams, re-broadcasts, digital archives, and YouTube channels — here are some videos of performances to keep you occupied during social distancing.
There are few recordings that provide as much listening pleasure as guitarist Jason Vieaux’s and the Escher Quartet’s 
When guitarist Jason Vieaux and the Escher String Quartet first performed together at Music@Menlo in 2007, the musicians knew they needed to keep the collaboration going. “Since then the Quartet has played with him many times,” Escher first violinist Adam Barnett-Hart said during a telephone interview. “We’ve performed some duos as part of the Quartet programs,” Vieaux said during a separate conversation, “but next week will be the first full concert as a duo.”