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Cleveland Orchestra & Weilerstein welcome live audience back to renamed hall (Oct. 17)

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by Daniel Hathaway

Most live performances this fall have quickly turned into lovefests, so eager have audiences been to re-engage with musicians face to face.

The Cleveland Orchestra’s second performance of the new season on Sunday afternoon, October 17 at the newly renamed Mandel Hall at Severance Music Center was just such an occasion. If the ensemble’s return to public concerts under the baton of Franz Welser-Möst wasn’t enough reason to light a bonfire, the Cleveland debut of a new work written for one of the Orchestra’s most popular soloists, and the swan song of one of its longest-serving members added extra fuel to the celebration. [Read more…]

Cellist Alisa Weilerstein to give Cleveland premiere 
of Joan Tower’s A New Day

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by Mike Telin

There are a few reasons why this week’s program from Franz Welser-Möst and The Cleveland Orchestra is particularly special. One, it marks the first time that the ensemble will return in full force to Severance Music Center since March 2020.

Two, the concerts will mark the final performances of Joela Jones as the Orchestra’s principal keyboard, finishing up a 54-season tenure. Click here to read an interview.

And three, the program will feature Alisa Weilerstein in the Cleveland premiere of Joan Tower’s A New Day for cello and orchestra.

The concerts, titled “New Beginnings,” take place on Thursday, October 14 at 7:30 pm and Sunday, October 17 at 3:00 pm, and will also include Richard Strauss’ Macbeth and Sergei Prokofiev’s Symphony No. 5. Click here for ticket information.

[Read more…]

Joela Jones reflects on 54 years with The Cleveland Orchestra

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by Mike Telin 

With a program titled “New Beginnings,” Franz Welser-Möst and The Cleveland Orchestra will return in full force to Severance Music Center on Thursday, October 14 at 7:30 pm, for the first time since March 2020. The evening will feature Richard Strauss’ Macbeth, Joan Tower’s A New Day (for cello and orchestra) with Alisa Weilerstein, and Sergei Prokofiev’s Symphony No. 5. The program will be repeated on Sunday, October 17 at 3:00 pm. Click here for ticket information.

The concerts will also be bittersweet as they mark the final performances of Joela Jones as the Orchestra’s principal keyboard. Jones, whose tenure has spanned 54 seasons, will be presented with the Orchestra’s 25th Distinguished Service Award on Thursday evening. Click here to watch a special video about Jones and listen to a playlist of her most memorable performances.

Joela Jones made her first appearance with The Cleveland Orchestra as a concerto soloist for a Summer Pops concert in 1966. The following year she gave the world premiere of a new concerto under the direction of George Szell, who asked her to join the ensemble soon after. Her name first appeared on the printed roster with the opening season of Blossom Music Center in 1968, and in 1972 she was officially designated as the Orchestra’s principal keyboard player. She has held the Rudolf Serkin Endowed Chair since its creation in 1977.

I spoke to Jones via Zoom and began by asking her about being tapped as a prodigy by Ernst von Dohnányi.

[Read more…]

Kent Blossom Music Festival: Final Faculty Concert (July 28)

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by Cait Winston

In his remarks before the July 28 Kent Blossom Music Festival concert, featuring members of The Cleveland Orchestra, Kent State University president Todd Diacon noted that while the past year has not been easy, “It has been made easier by the arts.” This statement was ratified by the performances that followed, where the freedom and passion in the musicians’ playing created a restorative sense of joy and optimism.

[Read more…]

Cleveland Orchestra & Chorus: Mendelssohn & Křenek (Mar. 5)

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by Timothy Robson

Franz Welser-Möst and The Cleveland Orchestra presented a very unlikely pairing of musical works this weekend at Severance Hall, Ernst Křenek’s austere and modernist Static and Ecstatic, Op. 214, sharing the program with Felix Mendelssohn’s joyous, life-affirming Lobgesang (“Song of Praise”), Op. 52. In Mendelssohn’s mashup of symphony and cantata, the Cleveland Orchestra Chorus continued their upward trajectory of excellence, joined by soloists Christina Landshamer and Martina Janková, sopranos, and Julian Prégardien, tenor. [Read more…]

Cleveland Orchestra guest conductors lead memorable Concerts (Feb. 23 & 27)

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by Daniel Hathaway

Michael Tilson Thomas succeeded Herbert Blomstedt as music director of the San Francisco Symphony in 1995. In a nice coincidence, Blomstedt turned the tables last month, following Tilson Thomas on the Severance Hall podium during adjacent weeks in February. [Read more…]

Cleveland Orchestra returns to Severance Hall (Sept. 19 & 21)

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by Daniel Hathaway

A compact Schubert symphony, the first half of a Prokofiev ballet score, and both neoclassical and full-out-Romantic works by Richard Strauss were on the docket as Franz Welser-Möst and The Cleveland Orchestra returned to Severance Hall last weekend to begin the ensemble’s 102nd season. Thursday evening’s subscription concert on September 19 began with a stylish reading of Schubert’s Third Symphony, a spirited work festooned with amiable melodic fragments you probably couldn’t go away whistling, but that gave the 18-year-old composer an abundance of cheerful material to play with.

[Read more…]

Cleveland Orchestra at Blossom with Parameswaran & Cano (Aug. 17)

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by Nicholas Stevens

Literal and metaphorical miles from the cool luxury of the concert hall, outdoor concerts can imply a looseness that extends beyond attire, seating options, and environmental sound. With crickets singing and picnic blankets unrolling, it seems only natural that musicians might relax as well, either in repertoire or level of performance. Not so for The Cleveland Orchestra, who were spot-on as ever in a recent Blossom program that avoided fizz and fanfare in favor of sober, engrossing American classics. [Read more…]

Cleveland Orchestra with New, Capuçon & KB Chamber Orchestra at Blossom (July 27)

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by Daniel Hathaway

Replacing Bramwell Tovey, New Zealand-born guest conductor Gemma New led a brilliant side-by-side performance of Elgar’s Enigma Variations by The Cleveland Orchestra and Blossom Festival Chamber Orchestra to close out the evening’s double header at Blossom on Saturday, July 27. Before that, French cellist Gautier Capuçon was mesmerizing in Saint-Saëns’ First Concerto, New brought drama and sweep to Sibelius’ Finlandia, and for a prelude, Vinay Parameswaran led the Chamber Orchestra in a charming mix of Mendelssohn and Ravel. [Read more…]

Kent Blossom Faculty Concert showcases Cleveland Orchestra musicians (July 17)

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by Nicholas Stevens

Amid the recent heat wave, the Kent Blossom Music Festival offered refuge with events in cool, tranquil spaces. Rarities, favorites, and unexpected delights packed one concert last week, a showcase for members of The Cleveland Orchestra who also serve as Festival Faculty. The music on Wednesday, July 17 filled Kent State University’s Ludwig Recital Hall without overwhelming it. This may seem unexceptional for a space purpose-built for duos, quartets, and the like, but the program included both whisper-soft moments for cello and a spirited duet for piccolos — noted for their carrying power, but perfectly balanced in this room. [Read more…]

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