by Daniel Hathaway
A chance meeting at Lakeside — where Verb Ballets was performing and BlueWater Chamber Orchestra artistic director Daniel Meyer was auditioning for a job — has resulted in the first collaboration between the two organizations. Although the original idea was for an in-person performance, the pandemic forced the project online.
Not such a bad thing, as it turns out. “Building Bridges Together,” which debuted as a video production on November 21, combined the strengths of two fine Cleveland performing arts organizations in a beautifully edited virtual event — bringing them into the same performing space for the first time through digital means. [Read more…]
To begin this season’s FUZE Series on Thursday, October 10 at 7:30 pm at E.J. Thomas Hall, Tuesday Musical will honor the memory of two local arts icons: jazz pianist and composer Pat Pace, and Ohio Ballet founder and choreographer Heinz Poll, who both passed away in 2006.
When a festival runs for long enough, it becomes interesting to look back and remember that it wasn’t always a staple of the local culture. At one time, it was entirely new.
On Friday, April 24 at 7:00 pm, the John Knox Performance Series will present Verb Ballets in a production of Geoffrey Peterson’s Edmund Fitzgerald, a concerto for piano and strings, choreographed by Richard Dickinson. The performance will be held in Trinity Hall at John Knox Presbyterian Church in North Olmsted. Seating reservations required: see our 
Looking at the Cleveland Chamber Symphony’s March 21st program, you might think the concert was part of a festival of world premieres. However, the program for their Gamble Auditorium concert at Baldwin Wallace was actually part of the 2015 edition of the orchestra’s NEOSonicFest. The evening included a work by Henry Cowell, as well as world premieres by Jeremy Allen, CCS’s music director Steven Smith and Clint Needham. 
“I’ve always been fascinated by dance,” said composer Clint Needham. “In my pieces I think about motion and movement, even if it’s just the performer moving. Between the two of us — myself and the choreographer, Sara Whale — we’ve created something a lot bigger than we each imagined, which I think is a really cool thing. I’m so thrilled that with Verb Ballets we’ve been able to make these Imaginary Dances less imaginary and more tangible, so to speak.”
