by David Kulma

by David Kulma
by David Kulma

by Jarrett Hoffman

Zhulla joined her new colleagues — violinist Ronald Copes, cellist Astrid Schween, and violist Roger Tapping — in September. That same month, the Quartet premiered Beecher’s One Hundred Years Grows Shorter Over Time, commissioned for them to honor the centennial of the South Mountain Concerts series in Pittsfield, Massachusetts.
Born in Greece, Zhulla went on to study at the Juilliard School and join CMS Two of Lincoln Center, making her name as a soloist, recitalist, and chamber musician performing across multiple continents. She’s been named “Young Artist of the Year” by the National Critics Association in Greece, and is a recipient of the Triandi Career Grant and the Tassos Prassopoulos Foundation Award.
by Mike Telin

This weekend at Severance Hall, you can hear the sounds of chirping birds, rippling creeks, barking dogs, buzzing flies, and storms when violinist Peter Otto, guest conductor Nicholas McGegan, and The Cleveland Orchestra reunite for three performances of Vivaldi’s groundbreaking work. The program, which also includes music by Mozart (Chaconne from Idomeneo) and Haydn (Symphony No. 94), will be presented on Friday and Saturday at 8:00 pm and Sunday at 3:00 pm. Tickets are available online.
For McGegan, these concerts are extra-special for a number of reasons. “For me, working with The Cleveland Orchestra is like being given a Rolls-Royce and an infinite supply of gas,” the affable conductor said during a telephone conversation. “I think this is my tenth visit to work with them, so I hope we’re good pals by now. And this will be a terrific concert for families who are looking for something to do during the Thanksgiving weekend.”
by Jarrett Hoffman

On second thought, best to leave out the wound aspect and focus on the musical side of the word, thought up by cellist Seth Parker Woods. As he told me during a recent telephone conversation, what interests him is the splitting open of divisions between periods of music. “I’m finding an opening, essentially, and fusing two worlds into one.”
Those worlds are the 17th-century Italian Baroque, and the 20th- and 21st-century avant-garde. He’ll set those genres against each other in “Dehiscence: A Sonic Radicalisation,” a free concert of solo cello music on Tuesday, November 27 at 8:00 pm at LCCC’s Cirigliano Studio Theatre, presented as part of the Signature Recital Series.
by Hannah Schoepe
The Cleveland Orchestra will embark on their nineteenth international tour with music director Franz Welser-Möst in March-April 2019, as part of the their 101st season. The tour will feature eleven performances across seven Asian cities: Taipei, Macau, Shenzhen, Shanghai, Nanjing, Wuhan, and Beijing. [Read more…]
by Timothy Robson

by Daniel Hathaway

by Nicholas Stevens

by Robert Rollin

by Nicholas Stevens
