by Mike Telin

Romance and deception will take center stage in Offenbach’s Le mariage aux lanternes (“The Wedding by Lantern Light”) and Rossini’s L’occasione fa il ladro (“Opportunity Makes the Thief”), both sung in the original languages with English supertitles. Jonathon Field directs and Joseph Mechavich conducts the Oberlin Orchestra. Performances take place on November 10, 11, and 12 at 8:00 pm and November 13 at 2:00 pm at Hall Auditorium. Click here for tickets.
Simply put, the Offenbach is a love story with songs that everyone will enjoy, and the Rossini is a comedic farce during which identities and affections are swapped between two pairs of would-be lovers.


Wonderful things can happen when two accomplished ensembles collaborate. Such was the case on Saturday, October 8, when the Cleveland Chamber Choir and the BlueWater Chamber Orchestra joined forces at the Church of the Covenant in a program titled “Heaven and Earth.” The result was spectacular.
No Exit’s season-opening trifecta of concerts concludes on Friday, November 4 at 8:00 pm at the Bop Stop with the Genkin Philharmonic, a ten-piece electroacoustic chamber ensemble based in Buffalo. The concert is free.
Pianist and composer
Whenever three adventurous musicians share a stage, the programming possibilities are endless. On Friday, November 4 at 7:30 pm at the Cultural Arts Center at Disciples Church,
During the past couple of years, No Exit has taken the online concert format to a new level. As
“When we see an idea expressed in the language of art, our sensory reactions often open the heart and mind to interaction in ways that mere facts may not,” writes Yolanda Kondonassis, who is not only a celebrated harpist but also the founder and director of the
On Thursday, October 20 at 7:30 pm, the Scottish Chamber Orchestra, under the direction of Maxim Emelyanychev, will kick off Tuesday Musical’s 2022 season at E.J. Thomas Hall. The program features Mendelssohn’s Symphony No. 3 (“Scottish”) and Bruch’s Violin Concerto No. 1 with Nicola Benedetti as soloist. The performance is part of the Orchestra’s current U.S. tour.
Since joining The Cleveland Orchestra as principal cello in 2010, Mark Kosower has thrilled audiences with his performances of concertos by Ginastera, Haydn, Dvořák, Barber, and Tchaikovsky.
Tonight at 7:30 pm at Severance Music Center, Carlos Kalmar will lead the Cleveland Institute of Music Orchestra in an eclectic program featuring