by Jarrett Hoffman

On January 31 at 7:30 pm at The Cat in the Cream Coffeehouse, Oberlin Conservatory presents a Winter Term Opera production of Angel’s Bone, directed by Christopher Mirto and conducted by Matthew Chamberlain. After opening night, which is part of Cleveland Opera Theater’s {NOW} Festival, performances continue on February 2, 4, 6, and 7 — see our Concert Listings for exact times. Admission is free, but tickets are required and seating is limited. Talk-back sessions including Oberlin faculty, students from the production, and community support groups will follow each performance.


Although composer Dawn Sonntag was well-versed in writing art song, vocal chamber music, and works for chorus, there was one thing missing from her catalogue of works for the voice — an opera. “I wanted to compose one but I had not found a libretto that I connected with,” the Associate Professor of Music and Chair of the Music Department at Hiram College said during a telephone conversation.




“I can look at all four symphonies of Brahms and say, ‘Oh that one is my favorite.’ Then I think, ‘No this one is,’” conductor Daniel Hege said during a recent telephone conversation. “But I have so much admiration for the Second Symphony. It has a lot of passion and emotional power all the way through, including a brilliant finish.”
Friends of fifteen years will come together as duo partners in the next concert on the Arts Renaissance Tremont series. On Sunday, January 21 at 3:00 pm at Pilgrim Congregational Church, clarinetist Franklin Cohen and pianist Zsolt Bognár will play a program that includes art songs by Beethoven and Fauré, two famous sonatas by Poulenc and Brahms, and a rarely-heard sonata by Mieczysław Weinberg. A freewill offering is requested.