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Sato & Sords send off Earth & Air with Bologne & Bach

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by Jarrett Hoffman

Earth and Air: String Orchestra is taking its final bow next week, but they won’t be going away quietly. The chamber ensemble has enlisted not one but two soloists for the occasion, more specifically two “Dueling Divas,” as violinists Andrew Sords and Mari Sato call their duo.

Another intriguing pairing is the program itself, which places J.S. Bach and his popular Concerto for two violins in d side by side with the Symphonie Concertante in G of Joseph Bologne, Chevalier de Saint-Georges, an 18th-century Black composer who is only recently receiving his due recognition both in the history books and the concert hall.

The free concert airs on YouTube on the morning of Tuesday, April 20, the fruits of a recording session held earlier this month at Trinity Cathedral and engineered by Paul Eachus, with video direction by Mathias Reed and cinematography by Robert Reiland.

“It has been a wonderful run of six years,” director David Ellis (below) wrote on the ensemble’s website. “We are so grateful to our loyal audience and patrons. We couldn’t have done this without you!” He also left the door open just a crack: “We anticipate other individual and small ensemble projects in the future on a more limited basis.”

[Read more…]

Black Squirrels return to Music From The Western Reserve

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by Mike Telin

Although black squirrels can be spotted around Northeast Ohio, they are prolific in the city of Kent. “At our first rehearsal we talked about choosing a name for the group, so we threw out some ideas,” bassoonist Mark DeMio recalled during a recent telephone conversation. “Our horn player said that since there were so many black squirrels in the area he always liked the idea of playing in a group called the black squirrel — something. And that’s how we became the Black Squirrel Winds.”   

On Sunday, April 11 at 5:00 pm, Music From The Western Reserve will present the ensemble that bears the name of Kent State University’s unofficial mascot. The pre-recorded online program is free. Click here at start time.

Formed in 2011, the Black Squirrel Winds — Diane McCloskey (flute), Danna Sundet (oboe), Amitai Vardi (clarinet), Mark DeMio (bassoon), and Kent Larmee (horn) — is a faculty ensemble at Kent State’s Hugh A. Glauser School of Music.

In addition to performing on the University’s main and satellite campus, as faculty the Black Squirrels spend a good deal of their time coaching students. DeMio said that although they enjoy playing challenging pieces such as the quintets of John Harbison, Jennifer Higdon, and Jean Francaix, “we’re always looking for repertoire that we want to play and is good for teaching to younger players. And most of the music that is on this concert has that element to it.”

[Read more…]

CityMusic Cleveland: Identity and “Syncretism”

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by Jarrett Hoffman

syn·cre·tism — the amalgamation or attempted amalgamation of different religions, cultures, or schools of thought (Oxford English Dictionary).

CityMusic Cleveland will explore that concept with an in-person concert of chamber music on Sunday, April 11 at 3:00 pm at Shrine Church of St. Stanislaus. (The audience will be limited to 250 people, and masks and social distancing are required. Click here to RSVP.)

The program begins with a quartet: Jungyoon Wie’s 2019 Han, played by violinists Miho Hashizume and Catherine Cosbey, violist Eric Wong, and cellist Sophie Benn. Then clarinetist Dan Gilbert will join the ensemble for Samuel Coleridge-Taylor’s 1895 Clarinet Quintet in f-sharp.

On a purely musical level, it’s hard to pick two pieces that deserve a wider audience — one of them a fresh and riveting contemporary piece, the other a beautiful and unjustly neglected gem of the past. But these two composers also represent an intriguing pairing through the lens of syncretism.

[Read more…]

Daniel Shapiro reaches last stage of complete Beethoven cycle

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by Daniel Hathaway

On Wednesday, April 7 at 7:00 pm, CIM Piano Professor Daniel Shapiro will play Beethoven’s last three sonatas in the 8th program of a complete cycle that he launched last fall to mark the 250th anniversary of the composer’s birth.

The first program was recorded at the Steinway Piano Galleries (pictured) for broadcast on Hudson’s Music From the Western Reserve series on September 13. The final episode, to be live streamed from CIM’s Kulas Hall, includes Opus 109, 110, and 111.

This marks the third time that Shapiro has tackled all 32 of Beethoven sonatas, initially all in the course of a single month, but in the last two cycles, spread over a whole academic year.

Having previewed the series in the fall, I telephoned Daniel Shapiro to ask what he was thinking and feeling after playing seven concerts.

“This time I realized how much I’ve changed, and how much the pieces have changed — what I’ve learned and how much there still is to learn. And how damned hard they are to play!” [Read more…]

Les Délices mesmerizes with Machaut’s Lai of the Fountain

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by Mike Telin

Now that the cold and dreary winter is behind us, our thoughts turn to spring. And with trees beginning to blossom and flowers blooming we can begin to think about cultivating the garden. On April 8 at 7:30 pm, Les Délices will celebrate the Medieval garden and it’s centerpiece — the fountain — with the debut of Machaut’s Lai of the Fountain. The program is presented in collaboration with Boston’s Blue Heron and features video art design by Camilla Tassi. Click here for ticket information.

While devotees of Les Délices will recognize the name Guillaume de Machaut, why has the ensemble returned to his music so frequently? “The practical reason is that there is so much of it,” artistic director Debra Nagy said during a telephone conversation.

“He created six copies of his own complete works that are full of compelling story-telling, which is something I’m always interested in when it comes to programming. Once you’ve invested a certain amount of time in learning the language — not just the 14th century French but the style and rhythmic language — it’s hard not to want to spend more time there.” [Read more…]

Piano Cleveland announces plans for 2021 International Piano Competition

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by Mike Telin

Piano Cleveland has announced that after a year-long postponement due to the challenges presented by the pandemic, the organization’s signature event — the Cleveland International Piano Competition (CIPC) — will take place from July 8 through August 11, 2021. (Above: Nikita Mndoyants, 2016 first place winner, with Bramwell Tovey.)

The competition has been reimagined as a hybrid event with pre-recorded First and Second Rounds — Semi-Final and Final Rounds will take place in Cleveland. Twenty-eight contestants who were chosen for the 2020 competition will compete for an opportunity to perform with The Cleveland Orchestra and to win the Mixon First Prize of $75,000, a New York performance debut, management services, and a recording on the Steinway & Sons label. Click here for a full competition schedule and here for ticket information.

Creating the plan — a logistical jigsaw puzzle 

Piano Cleveland president Yaron Kohlberg said in a Zoom conversation that all the decisions during the planning process were made with the best interests of the contestants in mind. [Read more…]

No Exit presents works by composers who call Cleveland home

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by Jarrett Hoffman and Mike Telin

The ensemble No Exit will continue its season on Friday, March 26 at 7:00 pm. The playlist features four world premieres — Zeke Paulowski’s 2020 Set to Viola: What We Will Remember, Nicholas Underhill’s Concerto for Piano and Midi Orchestra, Adonai Henderson’s We Tremble, but Know Better, and Luke Rinderknecht’s Resonances — as well as Timothy Beyer’s Amputate II for alto flute and electronics. As always, the concert is free. Click here at start time to view the performance.

“We love presenting concerts that celebrate some of the extraordinary musical voices that reside in Northeast Ohio,” No Exit artistic director Timothy Beyer said in a press release. “There are some great Cleveland-area composers who are really doing their own thing, thinking outside the box and writing music that is singular, unique and really worthwhile.”

[Read more…]

Caroline Oltmanns next up in Tri-C Classical Piano Series 

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by Mike Telin

If there was a day and time made for piano recitals, it might be Sunday afternoon. “I like Horowitz’s idea of 4:00 pm Sunday recitals,” pianist Caroline Oltmanns said during a telephone conversation. “3:00 is great, 2:00 is great — those are like the golden hours.”

On Sunday, March 21 at 2:00 pm, Oltmanns will present a free, pre-recorded online recital as part of the Tri-C Classical Piano Series. The program will include works by Debussy, Gulda, Wilding, and Beethoven. Click here at start time.

When asked about the music, the pianist said she wanted to play pieces that were “festive, colorful, and sunny.” She also wanted the program to have a minimal amount of fuss. “There will be very short introductions before each part of the recital — I don’t want to say a lot unless I actually have something to say.”

Oltmanns will open her program with five of Debussy’s Preludes. “I wanted this set to have a crescendo,” she said. “‘Bruyeres’ is so gentle and one of my favorites.” (View a preview video of Bruyères here.)

In addition to being beautiful pieces, “Le Vent dans la Plaine,” “Ce qu’a vu le vent d’ouest,” and “Voiles” are part of Oltmanns’ current recording project. “I’m in the final stages of my next album, which is all about wind,” she said. The set will conclude with “Feux d’Artifices” (‘Fireworks’). [Read more…]

Italian guitarist Emanuele Buono debuts with Cleveland Classical Guitar Society

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by Mike Telin

Although guitarist Emanuele Buono didn’t come from a musical family, his father had a passion for the instrument. “He put the guitar in my hands when I was five years old,” Buono said in an email. “And from that moment, I have never stopped playing.”

On Saturday, March 20 at 7:30 pm, Buono will make his Cleveland Classical Guitar Society International Series debut with an online program that will feature music by J.S. Bach, Franz Schubert, Hans Haug, and Gerard Drozd. The pre-recorded concert is free. Click here to receive links to the performance as well as to a post-concert Zoom reception with the artist, plus a copy of the full concert program.

Born in Turin, Italy in 1987, Buono began his musical studies at a young age. He went on to attend the Giuseppe Verdi Conservatory in Milan and later the Accademia Chigiana of Siena. He first broke onto the international concert scene in 2008 when he was awarded the Golden Guitar as the best young concert-player of the year at the XIII International Guitar Competition and Festival of Alessandria (Italy). In 2009, he won the Gold Medal at the International Christopher Parkening Competition (USA). [Read more…]

Emanuel Ax to open in-person Tuesday Musical Series March 25

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by Daniel Hathaway

Thanks to COVID-19, the earth has cycled through four seasons since pianist Emanuel Ax has played a solo recital. He’s looking forward to making up for that with an all-Chopin program on the Tuesday Musical Series at E.J. Thomas Hall in Akron on Thursday, March 25 at 7:30 pm.

This time around, the annual Margaret Baxtresser Concert will mark the Association’s first in-person event since the pandemic began, and the management has made sure that all performers have had their vaccinations, and that distancing protocols are respected in the seating plan.

Ax has chosen works from Chopin’s later years: the Two Nocturnes, Op. 55, the Polonaise Fantasie, Op. 61, the Three Mazurkas of Op. 56, the Barcarolle, Op. 60, the Nocturne in E, Op. 62, No. 2, and Scherzo No. 4, Op. 54.

I reached “Manny” Ax by telephone at his getaway in the Berkshires to chat about his program, which I found a bit unusual. Lots of pianists program Chopin, but you don’t often see a complete recital dedicated to his works.

“I’ve never done it, but it’s been done,” he said. “This program is meant to feature incredible masterpieces from Chopin’s later years. I learned some of it that I’d never played before during quarantine and I’m excited about trying out the program. Of course, I’m going to be very nervous because I haven’t done a recital for a year. I hope people will forgive me for things, because it’s going to be difficult in that sense.” [Read more…]

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