by Daniel Hathaway
The release of the fifth episode of The Cleveland Orchestra’s In Focus video series coincided with the elevation of Vinay Parameswaren from assistant to associate conductor of the ensemble and the extension of his contract. Of course, the concert had been pre-recorded a couple of weeks before it appeared on the Adella platform on January 28, but his leadership of the Orchestra on that occasion completely validated that promotion.
Episode 5 is subtitled “Musical Patterns,” a nod to the fact that three of the four works are examples of “minimalism,” or maybe more precisely, “repetitive music.” [Read more…]
New music concerts can run the risk of sinking under the weight of their own self-importance, especially when “world premieres” are involved. Happily, while No Exit takes itself seriously, it goes about its business with a redemptive playfulness, as demonstrated in several of the entries in the hour-long concert that debuted on the ensemble’s YouTube channel on January 29.
Through a partnership with the Chamber Music Society of Lincoln Center, the Cleveland Chamber Music Society is offering the steamed CMS Front Row National series free of charge.
A varied, compelling, and concise program came to life through excellent performances when percussionists Andrew Pongracz and Mell Csicsila of Duo Anime visited Survival Kit on January 14. The live-streamed concert was presented as part of the Local 4 Music Fund’s Tuning In series.
Art often transcends without trying, remaining rooted in its specific regional, topical, or historical niche yet appealing well beyond. A humble central-German cantor became Bach, an observer of social posturing in a narrow slice of the gentry became Austen, an aerosol virtuoso known to tag lower-Manhattan walls became Basquiat.
The Local 4 Music Fund continued its “Tuning In” series on December 17 with an engaging, emotionally wide-ranging program of piano quintets, streamed live from the Steinway Piano Gallery of Cleveland.
Music From The Western Reserve concerts always fall on Sunday, even as streams. December 13 was therefore as close to Beethoven’s likely birthdate on the 16th as the presenters could come to throwing a virtual party. Debuting their stream before that occasion made little difference in the concert’s power: over a week later, pianist Daniel Shapiro’s stunning interpretations remained lodged in this reviewer’s mind. As social media lit up with tributes and music-lovers around the world raised a glass, Shapiro’s MFTWR video remains on YouTube, where those interested can still listen and learn what it means to truly engage with Beethoven.