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When Grammy nominees are also friends: chatting with Elaine Martone & Erica Brenner

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by Mike Telin

This year’s Grammy Awards recognize the best recordings, compositions, and artists from September 16, 2023, to August 30, 2024, as chosen by the members of the Recording Academy.

While Cleveland artists have been well-represented at the Grammys for some time, when the 67th award ceremony is held at the Crypto.com Arena in Los Angeles on February 2 and broadcast at 8 pm EST on CBS, there will be two special reasons to pay attention.

Elaine Martone (left) and Erica Brenner (right), who have been among past Grammy nominees and winners, have both been nominated this time around for Producer of the Year, Classical (Category 82).

[Read more…]

ChamberFest Cleveland opens with “Exquisite Beginnings” at CIM (June 16)

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by Daniel Hathaway

ChamberFest Cleveland’s Season X — Roman numeral, not unknown quantity — got underway on Thursday, June 16 when a crowd of masked fans filled every seat in Mixon Hall at the Cleveland Institute of Music for “Exquisite Beginnings,” an opening salvo of works by Mozart/Grieg, George Walker, and Brahms.

The joy of returning to live concerts was palpable, reinforced by co-artistic director Franklin Cohen — who warmly greeted attendees in the lobby beforehand — and captured in the words of performers in an almost giddily edited video by Erica Brenner that was shown right after intermission. Chez Cohen was once again bubbling over with the sounds of rehearsing musicians in the “Chamberhood” that the Festival has created over nine previous seasons. The audience showed its feelings in ardent ovations. [Read more…]

Les Délices “Women of Genius” — a conversation with Clara Rottsolk

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by Daniel Hathaway

Les Délices, Cleveland’s French Baroque ensemble, continues its all-online subscription series on Thursday, March 18 at 7:30 pm with “Women of Genius,” featuring soprano Clara Rottsolk in music and poetry by Louis-Nicolas Clérambault, Mme. Duval, Julie Pinel, Élisabeth Jacquet de la Guerre, and François and Louis Couperin. After its debut, the video will be available on-demand through March 29. Purchase tickets and view connection details here.

The program, curated by Les Délices’ artistic director and oboist Debra Nagy, sets out to present its female composers not as isolated phenomena, but as composers who exerted a strong influence on French musical culture.

These were the daughters, the nieces, and the cousins of musical families like the Couperins. They were poets, translators, and librettists for airs, cantatas, and operas. They were brilliant improvisers and arrangers whose celebrated performances were attested to but whose works were never published. They were singers, keyboard, and theorbo players whose intimate work impressed and delighted. They were Women of Genius.

Rottsolk, a native of Seattle now based in Philadelphia, said in a Zoom conversation that Nagy’s idea of moving from presenting live concerts to forming a production company to produce high-quality video and audio shows was a wise and creative solution to the vagaries of the pandemic. [Read more…]

Les Délices: Games & Grounds — online debut February 18

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by Daniel Hathaway

When Debra Nagy made the decision to reinvent her French Baroque ensemble Les Délices as a production company — whose interface with its subscribers would take the form of high-quality videos in the place of live concerts during the pandemic — many of us were curious to see how that would affect one of Cleveland’s cultural treasures.

Their fourth subscription concert, Games and Grounds, which premiered on February 18 and will be available through March 1, finds the members of Les Délices in top form and, if anything, more communicative with their audience than ever before, thanks to the digital magic of Erica Brenner and her audio/visual production team that includes Elaine Martone, Andrew Tripp, and Mathias Reed. [Read more…]

“Noel, Noel” — Les Délices premieres new Christmas program Thursday

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by Mike Telin

By now it’s no secret that the phrase “home for the holidays” has taken on a whole new meaning this year. And while we won’t be able to attend in-person concerts performed by large orchestras and choruses, Les Délices has created a new seasonal program that can be enjoyed from the comfort of your home — with your favorite beverage.

On Thursday, December 10 at 7:30 pm, the Cleveland-based ensemble will present the premiere of “Noel, Noel.” The pre-recorded, streamed program features French Noels, German hymns including Michael Praetorius’ Es ist ein Ros entsprungen and In dulci jubilo, and the haunting Old English Coventry Carol and 17th-century Drive the Cold Winter Away. The playlist also includes Gustav Holst’s In the bleak midwinter and Franz Gruber’s Silent Night.

Presented in the style of Lessons and Carols, the music is interleaved with poems by Christina Rossetti, e.e. cummings, and Thomas Campion, as well as recent work by Northeast Ohio poets Dave Lucas, Diane Kendig, and Julie Warther recited by longtime local radio and TV host Dee Perry.

A pre-concert talk begins at 7:00 pm, the premiere begins at 7:30, and a Q&A with the artists follows at 8:30. Click here for ticket information. If you’re not available on Thursday, no worries, your ticket gives you streaming access through December 23. [Read more…]

Apollo’s Fire: Resilience, filmed at First Baptist, Oct. 20

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by Daniel Hathaway

After the novel coronavirus brought live concerts to a standstill in March, Apollo’s Fire was among the first of Cleveland’s performing organizations to formulate a clear plan for 2020-2021. Cleveland’s Baroque orchestra proposed a hybrid subscription season that would permit in-person audiences at its various venues — at 15% of capacity — but alternatively, promised professionally-produced videos for viewing by subscribers about a week after the live performances.

The first such video, capturing the October 20 performance of Resilience at First Baptist Church in Shaker Heights, delivered handsomely on that promise. Erica Brenner’s sensitive videography and audio mixing preserved brilliant performances of music that illuminated two troubled periods in history: the plague of London in 1665, and the outbreaks of cholera and dysentery that dampened but failed to defeat the human spirit at the end of the American Civil War two centuries later. [Read more…]

The Best of ChamberFest Cleveland on WCLV 104.9 Ideastream

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by Mike Telin

Founded in 2012 by Diana and Franklin Cohen, ChamberFest Cleveland has become a highly anticipated event each June for people seeking an immersive chamber music experience.

If the absence of live Festival performances this summer is leaving a void in your soul, take note: ChamberFest is collaborating with WCLV 104.9 Ideastream to broadcast nine programs drawing on material from all eight festival seasons on the station’s Wednesday evening “Ovations” Series and six, one-hour Sunday evening broadcasts. WCLV co-founder Robert Conrad will host and produce the series. Click here to view the schedule.

It’s no secret that since the pandemic caused the cancellation of all live performances, there has been a seemingly never-ending “stream” of performances by musicians and arts organizations over the Internet. Coupled with the reality that our lives are now spent in front of a glowing computer screen, this has caused our eyes and minds to grow weary.

[Read more…]

Sulayman, Sorrell & Apollo’s Fire win Grammy for Songs of Orpheus

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by Daniel Hathaway

Apollo’s Fire was among the Grammy winners for classical music announced in Los Angeles on February 10. The award in the Best Solo Vocal Album category was given for the ensemble’s Avie recording, Songs of Orpheus, featuring tenor Karim Sulayman. Conductor Jeannette Sorrell led an ensemble that included Julie Andrijeski, Johanna Novom, Karina Schmitz, René Schiffer, Rebecca Landell Reed, William Simms, and Brian Kay.

[Read more…]

CD Review
Les Délices: Age of Indulgence

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by Daniel Hathaway

Les-Delices-Indulgence-CDWhen an ensemble’s programs are as carefully curated as those of Cleveland’s Les Délices, it makes perfect sense to preserve them nearly intact in the form of a recording. Age of Indulgence is a case in point. Presented twice in November of 2015, the program delivered everything the ensemble is known for: expert, accessible performances of French Baroque repertoire using a small number of players in inventive combinations, always chosen to make an artistic point without pretense or pedantry, and performed without intermission in the course of an hour and a quarter. [Read more…]

Thomas J. Knab: an appreciation

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by ClevelandClassical.com Staff

knab-headsetThe passing of Grammy-winning audio engineer and information specialist Tom Knab on September 25 at the age of 61 was devastating not only to his family and friends, but also to a long list of colleagues, artists, ensembles, and institutions with whom he worked, and who treasured his expertise in recording and post-producing their music, both for distribution and for posterity. (Read an obituary in the Case Western Reserve University Daily, where he served as Chief Information Officer in the College of Arts and Sciences.)

Erica Brenner was one of Knab’s closest colleagues in the recording industry. They first met at Telarc, when she and Tom were “off hours” editors long before that company was sold and changed its emphasis. “We often handed projects off to each other,” she said in a recent conversation. [Read more…]

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