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Archives for October 2017

Nicole Keller & friends inaugurate restored organ at Shrine Church of St. Stanislaus (Oct. 22)

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by Daniel Hathaway

Keller-SchulkeTwo days after welcoming CityMusic Cleveland and John Corigliano for a concert in its nave, the Shrine Church of St. Stanislaus inaugurated its recently-restored William Schuelke Organ with a concert by organist Nicole Keller, assisted by two of her Baldwin Wallace Conservatory colleagues — flutist Sean Gabriel and violinist Julian Ross. Keller’s well-planned, beautifully executed program put the 1910 organ through an engaging shakedown cruise that showed its basic character and its range of capabilities. [Read more…]

Les Délices goes Italian (Oct. 22)

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by Mike Telin

Andrijeski-JulieTry as he did, even Louis XIV’s edicts on style and taste could not suppress the cross-pollination of the “refined” music of late-17th and early-18th century French musicians with that of the more “flashy” Italians. This past weekend, Les Délices, the always-creative and musically polished French Baroque ensemble, opened their season with two performances of a program titled “Inspired by Italy.” I heard Sunday afternoon’s concert in the Herr Chapel at Plymouth Church. [Read more…]

CityMusic Cleveland with Tessa Lark at Shrine Church of St. Stanislaus (Oct. 20)

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by Daniel Hathaway

Corigliano-Lark-StIn an unusual example of regifting, Avner Dorman and CityMusic Cleveland bestowed an early 80th-birthday present on John Corigliano on Friday evening, October 20 at the Shrine Church of St. Stanislaus: a performance of his own ‘Red Violin’ Concerto, the solo part commandingly played by Tessa Lark. The composer flew in from New York for the occasion and gave some introductory notes from the church’s ornate pulpit. [Read more…]

Jim Jarmusch & Carter Logan of SQÜRL play their scores to
Man Ray silent films at CMA

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by Jarrett Hoffman

02172015+SQURL+8825Jim Jarmusch is best-known as an independent filmmaker whose stories unfold in his own slow, strange, beautiful way. He’s also a native of Cuyahoga Falls and one of two members of the post-rock band SQÜRL, who take on film from another angle at the Cleveland Museum of Art next week.

On Wednesday, November 1 at 7:30 pm at CMA’s Gartner Auditorium, Jim Jarmusch (electric guitar and keyboard) and Carter Logan (drum kit) of SQÜRL will play their own ambient, drone-heavy, semi-improvised scores to four avant-garde silent films from the 1920s by Man Ray: L’étoile de mer, Emak bakia, Le retour à la raison, and Les mystères du château du dé (see the links to watch them on YouTube). Reto Thüring, curator of contemporary art at the museum, will host a conversation with the musicians following the performance.

SQÜRL describe themselves as an enthusiastically marginal rock band from New York City who like big drums and distorted guitars, cassette recorders, loops, feedback, sad country songs, molten stoner core, chopped and screwed hip-hop, and imaginary movie scores. Their work includes four EP’s, a live album, and the scores to three Jarmusch films: The Limits of Control, Only Lovers Left Alive, and Paterson. [Read more…]

Lou Harrison Centennial at the Cleveland Museum of Art (Oct. 20)

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by Timothy Robson

Harrison-MITAmerican composer Lou Harrison (1917-2003) studied with Arnold Schoenberg and Henry Cowell, but followed his own creative path, strongly influenced by Asian music, especially the gamelan music of Java (now a part of Indonesia). In celebration of Harrison’s 100th anniversary, the Cleveland Museum of Art presented a concert of his music on Friday, October 20 in Gartner Auditorium. The evening featured radiant performances by the MIT-based Gamelan Galak Tika, founded and directed by composer Evan Ziporyn. [Read more…]

Tuesday Musical: Academy of St. Martin in the Fields Chamber Ensemble (Oct. 19)

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by Nicholas Stevens

AcademyStMartinChamberEnsIn the ten seconds that conclude the first movement of Antonín Dvořák’s Sextet in A, the world outside falls away. The players must sing out the first theme at full volume, slowing as though crossing a finish line—then, a moment of gut-wrenching tension gives way to a fading sunset of a chord. A merely excellent ensemble might pull out all the stops here. Yet the Academy of St. Martin in the Fields Chamber Ensemble, being the first-rate group of musicians they long have been, keep this moment incandescent while maintaining a sense of larger-scale trajectory. [Read more…]

Cleveland Opera Theater and
BW Conservatory present
The Threepenny Opera

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by Jarrett Hoffman

Dreigroschenoper“There’s a very raw, visceral style to the language and the drama in Threepenny,” said Cleveland Opera Theater director Scott Skiba in a recent conversation. “Nothing is whitewashed, nothing is varnished.”

On Friday, October 27 at 7:30 pm at Maltz Performing Arts Center, Cleveland Opera Theater opens its season with The Threepenny Opera, co-produced by Baldwin Wallace Conservatory. Presented in English, the work brings together Kurt Weill’s genre-fusing music and Elisabeth Hauptmann’s and Bertolt Brecht’s famously provocative text, adapted from John Gay’s 18th-century English ballad opera, The Beggar’s Opera. A second performance will be given on Sunday, October 29 at 3:00 pm.

“It’s a relevant, exciting piece that hasn’t been done here for a long time, and this is going to be a special version,” said Skiba, who also serves as director of opera studies at BW. “Sometimes the word ‘opera’ scares people, but this will feel more like musical theater. It’s outrageous and vibrant.” [Read more…]

Q&A with French organist
Michel Bouvard before his
Trinity Cathedral Recital October 24

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by Daniel Hathaway

Bouvard-MichelTrinity Cathedral will celebrate the 40th anniversary of its Dutch pipe organ with a recital by French organist Michel Bouvard on Tuesday, October 24 at 7:30 pm. The mechanical action instrument, made by Flentrop Orgelbouw in Zaandam, the Netherlands, was dedicated in December of 1977 and inspired Trinity’s lunchtime series, the Brownbag Concerts, launched in January of 1978.

Bouvard is currently on a U.S. tour that began at Meyerson Symphony Hall in Dallas, continued with recitals and masterclasses at the University of Kansas, and after Cleveland, will end with a recital at the Maison Symphonique in Montréal. Due to language issues, in lieu of an interview, we sent M. Bouvard some questions by email to which he has graciously responded. [Read more…]

Cleveland Classical Guitar Society: Celil Refik Kaya at Plymouth (Oct. 14)

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by Daniel Hathaway

Cecil-Rafik-kayaTurkish guitarist Celil Refik Kaya opened the new Cleveland Classical Guitar Society Series with elegant performances of music by Giuliani, J.S. Bach, Granados, Morel and Rodrigo, including a piece by the guitarist himself, on Saturday evening, October 14 at Plymouth Church in Shaker Heights. Kaya warmed up his audience with a fluent reading of Mauro Giuliani’s Sonata Eroica. [Read more…]

Cleveland Chamber Music Society: Danish String Quartet at Plymouth (Oct. 10)

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by Daniel Hathaway

Danish-SQWhat’s a string quartet to do when their cellist is running late for a concert? Vamp until ready, of course. Before their October 10 debut on the Cleveland Chamber Music Society Series, Danish String Quartet violist Asbjørn Nørgaard and violinist Rune Tonsgaard Sørensen entertained the audience at Plymouth Church with an informative little off-the-cuff pre-concert lecture, charmingly laced with dry Danish humor and musical examples. [Read more…]

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