by Nicholas Stevens
Christoph Prégardien has traced the path of Schubert’s song cycle Die schöne Müllerin many times, yet he always seems to find it fresh beneath his feet. In two recordings and dozens of recitals, the German lyric tenor has made the cycle his own, sounding the hope, heartbreak, and resentment of its wandering miller with such assurance that his interpretation of the story feels genuinely true. [Read more…]
by Nicholas Stevens
For all its fantastic variety of styles and scenes, the Baroque era has left us with only a few household composers’ names. History is cruel. However, thanks to ensembles like Chatham Baroque, music that has fallen through the cracks breathes anew. Pieces by Legrenzi, Bertali, Buxtehude, and especially Kapsberger stood as highlights in a recent program, which also included music by Handel, Vivaldi, and Monteverdi. [Read more…]
by Daniel Hathaway
The Cleveland Orchestra’s Centennial Season came to a festive conclusion at Severance Hall on Thursday, May 17. After performing the first eight of Beethoven’s symphonies in four concerts between May 9 and 13, Franz Welser-Möst led the Orchestra, Cleveland Orchestra Chorus (prepared by Lisa Wong), and soloists Erin Wall, Jennifer Johnston, Norbert Ernst, and Dashon Burton in a blazing account of “The Ninth,” the final performance in Welser-Möst’s deeply philosophical Prometheus Project. (Read David Kulma’s reviews of the earlier concerts here.) [Read more…]
by David Kulma
Severance Hall was filled to the brim with Beethoven lovers for the first four installments of The Cleveland Orchestra’s 100th-season-capping festival. Framed as an exploration of Ludwig van Beethoven’s nine symphonies through ancient Greek myth, The Prometheus Project began with dazzling performances of the first eight symphonies and four overtures led by music director Franz Welser-Möst from Thursday, May 10 through Sunday, May 13. [Read more…]
by Timothy Robson
The Cleveland Chamber Choir and BlueWater Chamber Orchestra combined forces under Choir conductor Scott MacPherson to play the first of two weekend concerts on Saturday, May 19 at First Baptist Church of Greater Cleveland.
by Daniel Hathaway
Two of Cleveland’s distinguished concert organizations — the Cleveland Chamber Music Society and the Cleveland Classical Guitar Society — put their resources and audiences together for a winning end-of-season concert by guitarist Jason Vieaux and mezzo-soprano Sasha Cooke on Tuesday, May 8 at Plymouth Church in Shaker Heights. Inspired by folk music, jazz, and Broadway, the repertoire may have seemed light compared to what string quartets bring to the CCMS series, but Vieaux and Cooke brought committed professionalism to each item on the menu. [Read more…]
by Nicholas Stevens
Tradition or innovation, familiarity or freshness? These are and always have been false choices, as pianist Cicilia Yudha demonstrated in a concert last week. With a program spanning almost exactly three hundred years of music, Yudha concluded Arts Renaissance Tremont’s 27th season with a recital that sparkled and surprised. [Read more…]
by Daniel Hathaway
There are two varieties of concert Requiems — the comforting, consoling type (Brahms, Fauré, Duruflé) and the fiery Day of Judgment kind (Mozart, Berlioz, Verdi). The Akron Symphony chose one of the latter to close its season on Saturday, May 5. Led by music director Christopher Wilkins, the Akron Symphony Chorus and the Masterworks Chorale of the Summit Choral Society joined the Orchestra in Verdi’s Requiem, a thrilling choral conflagration that lit up E.J. Thomas Hall. [Read more…]
by Mike Telin
A long-overdue collaboration between two of the area’s eminent chamber ensembles yielded divine results when Les Délices and Quire Cleveland came together on Saturday, April 28 at Lakewood Congregational Church for “Let the Heavens Rejoice!” The program showcased celebratory French Baroque psalms for 22 voices, 14 instruments, and a quartet of vocal soloists, all under the direction of guest conductor Scott Metcalfe.
by Mike Telin
It’s one thing for a group of musicians to meet for the first time during the rehearsal of a work that is known to them all. It’s another thing for musicians to come together for the first time during a public improvised performance and create a cohesive musical trajectory on the spot. On Saturday, April 21 at Historic St. John’s Episcopal Church in Ohio City, Syndicate for the New Arts, in cooperation with New Ghosts, presented two groups who did just that. The results were thrilling. [Read more…]