by Mike Telin
Bass-baritone Dashon Burton is no stranger to Northeast Ohio audiences — he has appeared with Franz Welser-Möst and The Cleveland Orchestra on three occasions over the last two seasons. This past fall Burton reprised his role as the Parson and Badger in Janáček’s Cunning Little Vixen and will return in May for Beethoven’s Ninth as part of the Orchestra’s Prometheus Project.
You can hear another side of the Oberlin alum’s vocal skills this week when he and his Roomful of Teeth colleagues perform on the Oberlin Artist Recital Series on Friday, February 16 at 8:00 pm in Finney Chapel. Tickets are available online.
“I’m so excited to be going back to Oberlin. It played a huge part in feeding my vast curiosity about what music can be,” Burton said during a telephone conversation. “Without the people in the TIMARA program and the composition and vocal departments, I wouldn’t be the professional that I am today. And I want everyone to come to the show and see what Roomful of Teeth is all about.”
“It’s amazing how professional choral singing has changed in the past 10 to 15 years,” Gregory Ristow, director of vocal ensembles at the Oberlin Conservatory, said during a recent conversation. “And the singers in Roomful of Teeth are the perfect model for our students because their careers are multi-faceted.”
Like many musicians, British pianist Benjamin Grosvenor’s career received a jump start after winning a competition. “I won the keyboard section of the BBC Young Musician in 2004, and this began my performing career,” Grosvenor said in an email. “Obviously I was very young at that point and did not play very much, but the attention from the competition brought me concerts.” The pianist later became part of BBC’s Radio 3 New Generation Artist Scheme, which he said was “particularly important for my career, leading to opportunities such as performing at the BBC Proms as well as giving vital recording experience and the possibility to develop relationships with the BBC orchestras.”
Philippe Lefebvre, one of three tenured organists (titulaires) at the Cathedral of Notre-Dame in Paris, made his impressive Oberlin debut on Wednesday, September 16 in a 70-minute, straight-through recital in Finney Chapel at Oberlin College. His program paid homage to the great bloodline of French organist-composers established by the Belgian-born master César Franck, as well as to the long and distinguished tradition of improvisation that continues to live and prosper in the organ galleries of France. 
