by Jarrett Hoffman
The Cleveland Composers Guild’s annual collaboration with music students in the area couldn’t go ahead as usual this year (I’ll let you guess why). But that didn’t stop the Guild and these young players from putting together something virtual.
by David Kulma
It was another fascinating afternoon of recent music by members of the Cleveland Composers Guild at CSU’s Drinko Recital Hall on Sunday, October 13. Opening the Guild’s 60th anniversary season, the concert featured chamber music by eight local composers in the usual explorative potluck format.
by Mike Telin
If you’ve ever been asked to define new music, you’ve probably found yourself over-thinking the question. As the Minneapolis-based ensemble Zeitgeist explains it on their website, “In the end, new music is simply that: newly created music written by living composers.”
On Sunday, October 13 at 3:00 pm in Drinko Hall at Cleveland State University, the Cleveland Composers Guild will kick off its 60th anniversary season with a program that celebrates the membership’s diversity of musical styles. The free concert will feature works by Sebastian Birch, Margaret Brouwer, Margi Griebling-Haigh, Scott Michal, Ryan Charles Ramer, Robert Rollin, Matthew C. Saunders, and James Wilding.
“I always say that our concerts are for adventurous listeners who like a smorgasbord of the unexpected,” Composers Guild vice-chair Margi Griebling-Haigh said during a telephone interview. [Read more…]
by David Kulma
The Cleveland Chamber Choir has a bold tagline: “More than Music!” The final program of their fourth season, a collaboration with the Cleveland Composers Guild, clearly reflected this progressive mandate. Pairing living, local composers with works by British and American women, artistic director Scott MacPherson curated a delightful, satisfying evening titled “The Personal Muse” at Fairmount Presbyterian Church on Saturday, May 18. [Read more…]
by Jarrett Hoffman
Composer Natsumi Osborn remembers the first time she read October Danger, a poem by her friend Anabelle Clark.
“It’s very descriptive and kind of mystical,” Osborn said during a telephone conversation. “It evoked in my head the kinds of images and feelings that I always want to evoke in my music.”
Osborn went on to set that text to music with her choral work Autumn Reflections, for which she won the Cleveland Composers Guild’s 2019 Collegiate Composition Contest. She’s currently finishing up her second year at Oberlin College and Conservatory, where she studies composition with Stephen Hartke, Jesse Jones, and Elizabeth Ogonek.
In two concerts this weekend, the Cleveland Chamber Choir, under the direction of Scott MacPherson, will perform works by members of the Cleveland Composers Guild, including Osborn’s Autumn Reflections, and pieces by American and British women composers — details below.
by Jarrett Hoffman
When a festival runs for long enough, it becomes interesting to look back and remember that it wasn’t always a staple of the local culture. At one time, it was entirely new.
“Last weekend,” Daniel Hathaway wrote in April of 2014, the Cleveland Chamber Symphony “burst suddenly into bloom like a crocus after a long winter with the first of two concerts anchoring its promising new enterprise, NEOSonicFest…”
Back then, music director Steven Smith had been thinking for years about how to keep the name and activities of the Cleveland Chamber Symphony alive, as Mike Telin reported in our very first preview of NEOSonicFest. The retirement of the orchestra’s founder, Edwin London, and the end of its residency at Cleveland State University had slowed the group’s momentum.
by Daniel Hathaway
The creation of new operas is a passion of Scott Skiba, Cleveland Opera Theater’s executive artistic director. The company will host the third annual {NOW} Festival at Baldwin Wallace Conservatory beginning on Monday, February 4 and running through Sunday, February 9. All Festival activities are free and open to the public.
This year’s Festival will include partnerships between Baldwin Wallace, Bowling Green State University, the Cleveland Composers Guild, Hiram College, and Oberlin. “Every year we try to make the institutional collaborations and student engagement more rich,” Skiba said during a telephone conversation. “And this year we’ve got great energy around everything that’s happening.”
The Festival will also include an American Futures Residency by composers Jake Heggie and Griffin Candey, and soprano Ann Moss. “We started putting the plans for this together during the first {NOW} Festival,” Skiba noted. “The residency will allow us to bring these three exceptional artists to the BW campus to work and collaborate with Conservatory students.” [Read more…]
by Mike Telin
Since 2014, the Grammy Award-winning Cleveland Chamber Symphony has sponsored NEOSonicFest, a festival of new music performed by musicians from Northeast Ohio and beyond. The 2018 festival will run from April 5 through 11 (see below for concert dates and times).
Clarinetist Carol Robinson and trumpeter Nate Wooley will kick things off by performing selections from Éliane Radigue’s Occam Ocean on April 5 at MOCA. The composer describes her work as “an ongoing acoustic work with influences ranging from electromagnetic waves, to William of Ockham’s philosophies, to science fiction mythologies.”
The always creative No Exit will return to the Festival on April 6 at Heights Arts. The ensemble was founded by composer Timothy Beyer as an outlet for the commissioning and performance of contemporary avant-garde concert music. No Exit is committed to promoting the works of living composers, particularly the music of young and emerging artists who haven’t yet received either the opportunities or exposure of their better-known counterparts. (Works by Leo Ornstein, Ty Emerson, Per Nørgård, James Praznik, Andrew Rindfleisch & Tristan Murail).
by Nicholas Stevens
In an age when the word “opera,” to most, means the historical canon — that body of works that recirculate through the world’s houses each year — it bears repeating as often as possible that new efforts in the genre have flourished of late. Thanks to the combined efforts of the Cleveland Opera Theater, the Maltz Performing Arts Center at the Temple-Tifereth Israel, the Cleveland Composers’ Guild, and the Baldwin Wallace and Oberlin Conservatories of Music, Northeast Ohio audiences recently had a chance to hear scenes from three new works-in-progress by area composers and librettists.
by Mike Telin
Although composer Dawn Sonntag was well-versed in writing art song, vocal chamber music, and works for chorus, there was one thing missing from her catalogue of works for the voice — an opera. “I wanted to compose one but I had not found a libretto that I connected with,” the Associate Professor of Music and Chair of the Music Department at Hiram College said during a telephone conversation.
Then one night during dinner with her mother-in-law, that changed. “I knew she had been born and spent part of her childhood in East Prussia, but I didn’t know why she had left. So I asked her and she told me the whole story. And when I was listening to it I thought, this is it!”
On Saturday, January 27 at 7:30 pm at the Maltz Center for the Performing Arts, Cleveland Opera Theater will present the Cleveland premiere of Dawn Sonntag’s Verlorene Heimat (“Lost Homeland”) as part of the company’s {NOW} Festival. Presented in collaboration with the Cleveland Composers’ Guild, the opera is based on the true story of the East Prussian refugee family of Christa Neuber Kuske (1937 – 2012) and the Jewish-Ukrainian girl they sheltered.