by Timothy Robson

by Timothy Robson

by Jarrett Hoffman

A member of the Cleveland Orchestra Youth Orchestra, Béthoux is also a co-winner of its 2018 concerto competition. That’s earned her a solo appearance in the Samuel Barber Concerto during the ensemble’s 8:00 pm concert this Friday, November 16 at Severance Hall, led by music director Vinay Parameswaran.
And it might be what Béthoux says, or maybe it’s something that comes across in her voice, but it’s clear that her interest in classical music isn’t at all obligatory, self-important, or resumé-stuffing. It’s just love.
by David Kulma
by David Kulma

by Jarrett Hoffman

Those essentially empty boxes now go for $13K on eBay. A more wallet-friendly option for your Star Wars fix: $26 tickets to see the original film at Blossom this weekend, with John Williams’ score played live by The Cleveland Orchestra under the direction of assistant conductor Vinay Parameswaran. Screenings of the film, now known as Star Wars: Episode IV – A New Hope, will take place from Friday through Sunday, August 31 to September 2, the festival’s closing night, all at 8:30 pm. After the red and green blaster rays, stay for more fireworks, weather permitting.
by Mike Telin
by Mike Telin

The following evening, July 21 at Blossom Music Center, Ling and The Orchestra will focus on the participants in the 50th annual Kent Blossom Music Festival. The concert will begin at 7:00 pm, when Vinay Parameswaran will lead the Kent Blossom Chamber Orchestra in Prokofiev’s Symphony No. 1 (Classical) and de Falla’s Suite No. 1 from The Three-Cornered Hat.
At 8:00 pm that student ensemble will join The Cleveland Orchestra and Jahja Ling in a side-by-side performance of Berlioz’s Overture to Benvenuto Cellini, and Vaughan Williams’ Serenade to Music featuring the Blossom Festival Chorus. The marathon event will continue around 9:00 pm when Ling and TCO return to the stage for Mahler’s Symphony No. 1 (“Titan”). [Read more…]
by Jarrett Hoffman

We’ll get reacquainted with TCO soon, thanks to their schedule at this year’s 50th anniversary season of Blossom Music Festival, plus their fourth Summers@Severance series.
The Cleveland Orchestra marks the unofficial beginning of summer when they open their Blossom season on Saturday, July 7 at 8:00 pm. At the helm will be music director Franz Welser-Möst, leading the Orchestra in Mussorgsky’s Pictures at an Exhibition in its orchestration by Ravel, Reznicek’s Overture to Donna Diana, and Beethoven’s Triple Concerto, featuring TCO’s own soloists –– pianist Joela Jones, violinist Stephen Rose, and cellist Mark Kosower. At this concert and two others, check out the Image Magnification system, which displays live video of the performers on LED screens in the Blossom Pavilion. Fingers crossed for the weather — a firework show is planned for afterwards.
by Daniel Hathaway

This summer’s students (16 of whom are international, hailing from Hong Kong, Taiwan, China, Japan, and Colombia) will arrive on July 1 and begin their experience with a dinner for participants, faculty, donors, and host families who will house eight of the students. “Rehearsals, coachings, and lessons start right up the next day,” Sepulveda said.
Recruitment began in mid-winter. “I changed the process a bit, shortening it to end before the first of March. Instead of print, we did online promotion using the Violin Channel and Facebook, which allows us to reach people faster,” he said, noting that the Festival is now old enough that it’s fun to see students of former students applying. Once they settle in at Kent, there are busy days ahead. [Read more…]
by Robert Rollin

by Daniel Hathaway

by Mike Telin

A resident of Hinckley, Jones is a senior at Cuyahoga Valley Christian Academy. The eighteen-year-old has been a member of COYO’s trumpet section since the 2015-16 season. In addition to his orchestra duties, he has played with the ensemble’s brass quintet since 2016. In the fall, Jones will be attending the New England Conservatory and studying trumpet performance with Steven Emery.
We caught up with Charlie Jones by telephone and began our conversation by asking him why he chose Haydn’s concerto.