by Mike Telin
At a time when just about everything is being scaled down, the one-hour concert sans intermission has become the norm, which is, quite honestly, a good thing. In their latest pre-recorded concert that debuted on November 27, No Exit takes things a step further. At 30 minutes in length, “Concert à la miniature” features solos and duos of five minutes or less, and the engaging diversity of the program coupled with stellar performances by members of the ensemble is a testimony to the cliché that good things come in small packages. Click here to access the performance on demand. [Read more…]
Steuart Pincombe, known to Northeast Ohioans as a magisterially bearded baroque cellist and viola da gamba player affiliated with Apollo’s Fire and Les Délices, seems to embody the accidental double-meaning of the acronym H.I.P. Historically informed performance meets millennial cool in the form of this off-the-grid farmer known for playing Bach in breweries. In time for the holidays, Pincombe has released a debut album titled 
You’d be fortunate enough these days to be able to field three sopranos who could successfully channel the celebrated singing of the Three Ladies of the Court of Ferrara, but to find a trio of singers who all happen to be named Amanda would really be pushing your luck.
Full-length symphony orchestra concerts normally feature three works and run nearly two hours including intermission. The pandemic, which has changed so many things, has truncated programs, both to shorten possible exposure time and to avoid the social mixing of a mid-concert interval.
On November 19, violinist Emily Cornelius and pianist Eric Charnofsky were minutes into a live-streamed recital as part of the Local 4 Music Fund’s “Tuning In” series when technical issues arose. The duo stopped playing after someone off-screen said that Facebook had shut down the broadcast, and following a moment of confusion, the video stream on my computer indeed cut out.
In these less than ideal times, Raphaël Feuillâtre gave the ideal recital. His program on November 21 for the Cleveland Classical Guitar Society was concise, varied, and well-structured, and it was performed, recorded, and filmed so intimately that it felt like it was live.
When multiple forms of art come together in a single work, there is the potential for something fascinating to unfold, but there are also unique challenges that arise. Both sides of that coin are on display in Julie and Cheri Johnson’s recent fusion of narrative and music, 
In 2020, our minds have all been occupied by crucial issues of the